Rod Serling’sThe Twilight Zoneremains one of the most influential TV shows ever created. Airing from 1959 to 1964, the iconic anthology series redefined storytelling on the small screen, blending science fiction, social commentary, and twist endings in a way that had never been seen before. Much of the show’s lasting power comes down to Serling himself - the sharpness of his writing and his iconic presence as host. Whether he was exposing Cold War paranoia or existential dread, Serling never underestimated the intelligence of his audience, makingThe Twilight Zonea timeless viewing experience.

However,The Twilight Zonewasn’t the only anthology seriescreated by Rod Serling. AfterThe Twilight Zoneended its landmark run, Serling would return to the format with another series that delved even deeper into the shadows. Though it didn’t achieve the same enduring mainstream legacy, his next horror-focused project was no less powerful, and was a chilling viewing experience that deserves far more recognition than it usually gets. While it lives in the shadow of its predecessor, Rod Serling’sNight Gallerywas a masterclass in eerie storytelling.

Rod Serling in front of a painting in Night Gallery

Serling’s Second Anthology Series Took A More Overtly Macabre Approach But Shared The Same Storytelling Soul As The Twilight Zone

Afterthe end ofThe Twilight Zone, Rod Serling wasn’t finished exploring strange new worlds - he just chose to paint them with darker, bloodier colors.Night Gallery, which ran from 1969 to 1973, was Serling’s second anthology series, and it leaned far more into horror than science fiction.

WhileThe Twilight Zonewas cerebral and often speculative,Night Galleryembraced a gothic, sometimes grotesque atmospherethat made it a spiritual cousin rather than a carbon copy. Each episode ofNight Gallerywas framed by Serling himself, who served once again as both host and writer. This time, he introduced stories not from a cosmic dimension, but from the shadowy halls of an art gallery.

Bart in front of a painting in The Simpsons Treehouse Of Horror 4

Underneath all the rotting corpses and cursed canvases,Night Galleryretained that same Rod Serling DNA

Each tale inNight Gallerywas represented by a painting, which Serling would unveil to the camera - a device thatinstantly set the tone for the more visual, psychological horrors that followed. The series debuted with a 1969 pilot movie featuring three stories, including “Eyes,” which marked thedirectorial debut of Steven Spielberg. TheNight Gallerypilot was so well-received that NBC greenlit the full series the following year.

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WhileThe Twilight Zoneoften left room for hope or moral clarity,Night Gallerywas bleaker. Thehorror in Serling’sTwilight Zonefollow-up often stemmed from humanity’s cruelty,selfishness, or blind ambition. Stories like “The Caterpillar” and “The Doll” still haunt viewers with their skin-crawling imagery and twisted conclusions.

The dozens of stories inNight Gallerydealt in cursed objects, vengeful spirits, and psychological torment, drawing more from the legacy left by authorslike Edgar Allan Poethan Issac Asimov. Yet underneath all the rotting corpses and cursed canvases,Night Galleryretained that same Rod Serling DNA: anincisive look at the human condition wrapped in genre storytelling.

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Rod Serling’sThe Twilight Zonemay have set the bar, butNight Galleryproved that his talent for blending the strange and the socially relevant wasn’t a one-time feat. It was simply a different kind of nightmare - one painted in darker hues.

Rod Serling’s Horror Anthology Show Mixed Original Stories With Chilling Adaptations

Classic Literary Horror And Serling’s Original Tales Collided In A Uniquely Unsettling Anthology Format

One of the most fascinating elements ofNight Gallerywas its mix of original stories and adapted horror classics. Rod Serling penned many episodes himself, just as he did forThe Twilight Zone, butNight Galleryalso adapted works by iconichorror writers like H.P. Lovecraft, Edgar Allan Poe, and Algernon Blackwood.

Thisliterary edge gave the show a timeless quality. It was rooted in horror’s past even as it experimented with television’s future. Episodes like “Pickman’s Model,” adapted from Lovecraft, captured the eerie, oppressive tone of the original short story, while others like “The Sins of the Fathers” tackled period horror with striking visuals and disturbing themes.

In an age beforehorror anthologies were common,Night Gallerywas doing something bold:marrying the established masters of the macabre with modern television storytelling. Rod Serling served as the bridge between these worlds, writing many of the original segments himself and injecting his trademark moral scrutiny and philosophical musings.

However, despite Serling’s passion for the show,Night Gallerywasn’t without behind-the-scenes conflict. NBC took a more hands-on approach than CBS had withThe Twilight Zone, and Serling was frequently frustrated by creative interference. He hadless control over the final product than he did on his earlier series, and producers often re-edited or trimmed his scripts. Over time, Serling became increasingly disillusioned with the network’s handling of the series - a creative tension that many fans believe contributed toNight Gallery’s cancellation in 1973.

Still, even when constrained, Serling’s voice came through. Episodes like “They’re Tearing Down Tim Riley’s Bar” - a rare character-driven story in a horror-leaning anthology - reminded audiences that he could still deliver deeply moving television.Rod Serling’sThe Twilight Zoneproved his genius, butNight Galleryreinforced that his talents weren’t confined to one format or network. It was a series where horror met poetry, and where Serling’s creative soul was on full display, even in the darkest corners.

Guillermo Del Toro, Steven Spielberg, And The Simpsons Have All Paid Tribute To Night Gallery’s Chilling Legacy

ThoughNight Gallerydoesn’t have the same pop culture prominence asThe Twilight Zone, its influence runs deep, especially among storytellers who grew up watching it. One of the show’s most vocal admirers isOscar-winning filmmaker Guillermo del Toro, who has repeatedly citedNight Galleryas one of the formative inspirations for his love of horror and fantasy(viaFar Out):

“Night Galleryis still the foundation of what I love,Night Gallerystays in my mind… and it forms my roots as a storyteller.”

It’s not hard to see the connection. Del Toro’s fascination with haunted objects, tragic monsters, and painterly visuals all echo the mood and aesthetic ofNight Gallery. The show’s structure - horror tales introduced through art -mirrors del Toro’s own gothic sensibilities. He’d even go on to helm a similar anthology horror show of his own, 2022’sCabinet of Curiosities.

For ageneration of horror fans and creators,Night Gallerywas a gateway into the strange and the sublime, offering stories that frightened, disturbed, and lingered. The show also holds a place in the origin stories of other major creators.Steven Spielberg’s first professional directing gig came fromNight Gallery’s pilot movie, helming the Joan Crawford-led segment “Eyes.”

It’s hard to imagine a Hollywood without Steven Spielberg, andNight Galleryis responsible for launching his legendary career.EvenThe Simpsonspaid homagein theTreehouse of Horror IV, which had Bart stepping into Sterling’s role and setting up each segment by telling the audience a story about a painting.

Rod Serling’sThe Twilight Zonewill always be the crown jewel of his legacy, butNight Galleryis one of thebest horror TV shows of the 1970s(and, for some fans, all time) and deserves more credit than it gets. It may not be quoted as often or revived as frequently, but it quietly shaped horror on television and beyond. For fans willing to look past its flaws - and the long shadow of its predecessor -Night Galleryremains a haunting, underrated masterpiece that influenced some of the greatest cinematic storytellers of all time.

The Twilight Zone

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The Twilight Zone is an anthology series that debuted in 1959, featuring a collection of standalone episodes encompassing drama, psychological thriller, fantasy, science fiction, suspense, and horror. Known for its macabre or unexpected twists, each story is distinct, exploring various speculative themes and human experiences.

Night Gallery is an anthology series released in 1970, featuring Rod Serling as the narrator. It presents a collection of fantasy, horror, and sci-fi tales, all connected by a sinister art gallery setting with each chilling story represented by a haunting piece of artwork.